Their art did not necessarily rely on realistic depictions. The Impressionists sought to capture the former - the optical effects of light - to convey the fleeting nature of the present moment, including ambient features such as changes in weather, on their canvases. Scientific thought in the Impressionist era was beginning to recognize that what the eye perceived and what the brain understood were two different things.Getting away from depictions of idealized forms and perfect symmetry, they concentrated on the world as they saw it, which was imperfect in a myriad of ways. Picking up on the ideas of Gustave Courbet, the Impressionists aimed to be painters of the real: they aimed to extend the possible subjects for paintings. ![]() For this reason, many critics faulted Impressionist paintings for their unfinished appearance and seemingly amateurish quality. They abandoned traditional three-dimensional perspective and rejected the clarity of form that had previously served to distinguish the more important elements of a picture from the lesser ones.
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